Here are a few business articles of interest that kept me distracted from the subway freaks the past week or so. Still Marching to Purcell's Drumbeat -- talk about corporate governance gone bad ... here's a case of how not to do it, unless you're Machiavellian. This is a tale of Morgan Stanley's CEO & Chairman Philip J. Purcell, who basically got his friends onto Morgan Stanley's board, then proceeded to run the show, with no critical questions being asked. Screw the shareholders! Color-Blind Drug Research Is Myopic -- the US FDA just approved the heart failure drug, BiDil, specifically for the use by blacks. There is clear evidence that, for whatever reason, blacks to seem respond to the drug, more so than people with different genetic histories. This is a move towards personalized medicine, however, the implications to race in medical research is uncertain -- after all, there is no such thing as race. Iran: Rafsanjani's Second Shot at Reform -- w...
Just came back from Steamboy. It was a pretty good movie -- even though I wasn't really into watching a movie when I got there.
ReplyDeleteFrom a philosophical perspective, the movie questions the place of science in society. What's science really there for? It paints capitalism and business as lacking virtue, capable of poisoning everything it touches -- bringing evil to science. Ôtomo would have us see science as pure, there for the betterment of humankind and society. The movie doesn't lecture this point however -- it's there, and when the raving lunatic of the movie starts raving ... well, it comes through.
The movie has imagination, and is beautifully illustrated. Ôtomo's Victorian future is filled with puffs of steam, steel and lots of gears -- whirring, twanging and whistling. The animation is quite detailed, bringing the future-past to life, making it real. Imagination literally soars -- with steam powered aircraft, and an actual flying castle; armored soldiers that are steam powered; tanks, ships, and even a cool unicycle that could compete with Kaneda's bike. The colours were a bit dark however -- somewhat muted. I'm not sure if that was due to the print used in the theatre, or if that was on purpose -- the soot of the industrial revolution taking the life out of everything.
Unlike Akira, Steamboy isn't steeped in violence and, teenage angst and disillusionment. Neither does it have good versus evil. It's more like good between the competing forces of evil at the brink of a revolution that is to be driven by science and industry. In that future of promises, excitement and potential, Ôtomo tells us that all we have to guide us is our judgment of what is right and what is wrong -- and if we know how the difference, we'll make the right choices. We're living that future, and you know how that story ends. Now, if only we can learn from the history of that future we've lived.
For a 6-minute trailer of the movie, click here! [Windows Media Player] Other trailers can be found here.
Wired Magazine has a review of Sin City that's probably worth the read for those who don't know what to expect from the movie. Wired stops short from calling the movie great, simply because it stayed true to form to Frank Miller's comic. Some things, especially the dialogue, doesn't translate well to film. Wired does give the film excellent marks however, for its technical breakthroughs -- althought it warns that having a strong stomach would help in appreciating it.
ReplyDeleteI finally saw Sin City this past Wednesday. It was everything I had hoped it would be and more. The film is a masterpiece. I expect I will be seeing it again and getting the DVD when it's released.
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