In an act of desperation, Tim DeCristopher chose civil disobedience to disrupt the bidding process that saw 149,000 acres of public land leased off to oil companies in Utah. The lease of the land to oil companies, to allow drilling, has been contested by many who wish to preserve the pristine land, located near Arches National Park, the White River, the greater Desolation Canyon region, Labyrinth Canyon, the benches east of Canyonlands National Park, Nine Mile Canyon, the Book Cliffs and the Deep Creek Mountains. It is one of the final sell-off by the dying Bush administration. DeCristopher showed at the auction, registered as a bidder, and started bidding -- and winning -- with no intention of purchasing or paying for the auctions he won. Way to go dude! You're a hero!
Just came back from Steamboy. It was a pretty good movie -- even though I wasn't really into watching a movie when I got there.
ReplyDeleteFrom a philosophical perspective, the movie questions the place of science in society. What's science really there for? It paints capitalism and business as lacking virtue, capable of poisoning everything it touches -- bringing evil to science. Ôtomo would have us see science as pure, there for the betterment of humankind and society. The movie doesn't lecture this point however -- it's there, and when the raving lunatic of the movie starts raving ... well, it comes through.
The movie has imagination, and is beautifully illustrated. Ôtomo's Victorian future is filled with puffs of steam, steel and lots of gears -- whirring, twanging and whistling. The animation is quite detailed, bringing the future-past to life, making it real. Imagination literally soars -- with steam powered aircraft, and an actual flying castle; armored soldiers that are steam powered; tanks, ships, and even a cool unicycle that could compete with Kaneda's bike. The colours were a bit dark however -- somewhat muted. I'm not sure if that was due to the print used in the theatre, or if that was on purpose -- the soot of the industrial revolution taking the life out of everything.
Unlike Akira, Steamboy isn't steeped in violence and, teenage angst and disillusionment. Neither does it have good versus evil. It's more like good between the competing forces of evil at the brink of a revolution that is to be driven by science and industry. In that future of promises, excitement and potential, Ôtomo tells us that all we have to guide us is our judgment of what is right and what is wrong -- and if we know how the difference, we'll make the right choices. We're living that future, and you know how that story ends. Now, if only we can learn from the history of that future we've lived.
For a 6-minute trailer of the movie, click here! [Windows Media Player] Other trailers can be found here.
Wired Magazine has a review of Sin City that's probably worth the read for those who don't know what to expect from the movie. Wired stops short from calling the movie great, simply because it stayed true to form to Frank Miller's comic. Some things, especially the dialogue, doesn't translate well to film. Wired does give the film excellent marks however, for its technical breakthroughs -- althought it warns that having a strong stomach would help in appreciating it.
ReplyDeleteI finally saw Sin City this past Wednesday. It was everything I had hoped it would be and more. The film is a masterpiece. I expect I will be seeing it again and getting the DVD when it's released.
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