... of Movies

Steamboy
  • In an hour, I may be leaving home with my oldest daughter to go see Steamboy. It's an anime set in Victorian England by Japanese director, Katsuhiro Ôtomo. For those that don't know, don't remember, or could care less, Katsuhiro Ôtomo is of Akira fame. For those who don't know, don't remember, or could care less, Akira is a cult classic that redefined the Anime genre with a hard hitting story set in a post-apocalyptic Tokyo -- the film that is credited with bringing Anime to a wider western and adult audience. Katsuhiro Ôtomo hasn't directed an animated feature since Akira was released in 1988. While Steamboy is sure to be a hit with audience with refined tastes, expectations are already low for the North American release. In Toronto for instance, the movie is playing only at Carlton -- a theatre that specializes in foreign and art films. North Americans, unfortunately, still haven't come to grips with animation as a medium for telling stories -- they still see it as cartoons, and still view anime as only being able to produce films like Pokémon. A review of Steamboy's Japanese release can be found at the Japan Times site.

  • Constantine
  • Last week Friday, my daughter and I also went out for a movie. We saw Constantine -- based on the Hellblazer comic book by Jamie Delano and Garth Ennis -- amongst many others. Keanu Reeves and Rachel Weisz were bad in the movie -- they did a good enough job to create believable characters -- and I saw an interview with Reeves, who said he was sensitive to the fact that the character already had a loyal following -- and didn't want to alienate those fans who already knew the character. That was a good thing, because he didn't make the mistake so many other actors make by trying to bring his interpretation to the character. The story was well written, flowed well, and the action was just the right amount. This wasn't a scary horror movie -- it was more of a cerebral horror movie. If you've read the comic, or any Vertigo comics for that matter, you'll understand what I mean by that.

  • Sin City
  • A movie that I'm looking forward to is Sin City. I've enjoyed this Frank Miller comic since the first issue came out from Dark Horse. The movie is directed by Robert Rodriguez, who convinced Frank Miller that it could be brought to the screen, and gave Frank Miller co-director credit -- for more on this tale, check the latest issue of Wired magazine. What is remarkable, is that Rodriguez managed to get the look and feel of the comic down on film -- digital film that is. The effects are superb, from what I've seen via the trailers. For more, check out my previous post on this topic.
  • Comments

    1. Just came back from Steamboy. It was a pretty good movie -- even though I wasn't really into watching a movie when I got there.

      From a philosophical perspective, the movie questions the place of science in society. What's science really there for? It paints capitalism and business as lacking virtue, capable of poisoning everything it touches -- bringing evil to science. Ôtomo would have us see science as pure, there for the betterment of humankind and society. The movie doesn't lecture this point however -- it's there, and when the raving lunatic of the movie starts raving ... well, it comes through.

      The movie has imagination, and is beautifully illustrated. Ôtomo's Victorian future is filled with puffs of steam, steel and lots of gears -- whirring, twanging and whistling. The animation is quite detailed, bringing the future-past to life, making it real. Imagination literally soars -- with steam powered aircraft, and an actual flying castle; armored soldiers that are steam powered; tanks, ships, and even a cool unicycle that could compete with Kaneda's bike. The colours were a bit dark however -- somewhat muted. I'm not sure if that was due to the print used in the theatre, or if that was on purpose -- the soot of the industrial revolution taking the life out of everything.

      Unlike Akira, Steamboy isn't steeped in violence and, teenage angst and disillusionment. Neither does it have good versus evil. It's more like good between the competing forces of evil at the brink of a revolution that is to be driven by science and industry. In that future of promises, excitement and potential, Ôtomo tells us that all we have to guide us is our judgment of what is right and what is wrong -- and if we know how the difference, we'll make the right choices. We're living that future, and you know how that story ends. Now, if only we can learn from the history of that future we've lived.

      For a 6-minute trailer of the movie, click here! [Windows Media Player] Other trailers can be found here.

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    2. Wired Magazine has a review of Sin City that's probably worth the read for those who don't know what to expect from the movie. Wired stops short from calling the movie great, simply because it stayed true to form to Frank Miller's comic. Some things, especially the dialogue, doesn't translate well to film. Wired does give the film excellent marks however, for its technical breakthroughs -- althought it warns that having a strong stomach would help in appreciating it.

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    3. I finally saw Sin City this past Wednesday. It was everything I had hoped it would be and more. The film is a masterpiece. I expect I will be seeing it again and getting the DVD when it's released.

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